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The Alfa Romeo TZ: A Milestone in Racing History and Design

Alfa Romeo TZ
Girardo & co

The Alfa Romeo TZ (Tubolare Zagato) is more than just a car: it is a landmark in the history of Italian automotive engineering and motorsport. This sleek, lightweight coupé marked Alfa Romeo’s return to racing in the 1960s, bridging the gap between the brand’s glorious pre-war racing heritage and its aspirations for modern motorsport dominance. Created in collaboration with Zagato and Auto Delta, the TZ became an icon of innovation, design, and competitive success.

The Foundations: A Record-Breaking Collaboration

In 1954, Alfa Romeo and Carlo Abarth began a historic partnership, facilitated by Mario Boano of Ghia. Their first project was a record-setting vehicle powered by Alfa Romeo’s 1900 engine, a precursor to the high-performance engineering that would define later models. While Boano left Ghia shortly thereafter, Abarth continued working with Alfa Romeo’s technical team at the Portello factory, setting the stage for further innovation.

In 1957, this partnership yielded the Abarth-Alfa Romeo 1100 Pininfarina Record, a car designed to dominate the “1100” engine category. Equipped with a tubular chassis, a lightweight aluminum body by Pininfarina, and a centrally positioned driver’s seat, this aerodynamic marvel achieved six speed records at Monza before suffering a dramatic crash due to a wheel failure. Though heavily damaged, the tubular chassis would later serve as the conceptual foundation for the Alfa Romeo TZ, demonstrating the enduring value of innovative experimentation.

Technical Highlights of the Alfa Romeo TZ

The first version of the Alfa Romeo TZ, often referred to as “TZ1” to distinguish it from its successor, the TZ2, represented a culmination of cutting-edge design and engineering. Developed under the direction of Orazio Satta Puliga and Giuseppe Busso at Alfa Romeo, the TZ was produced through a collaboration with Autodelta, SAI Ambrosini, and Zagato. Each partner brought unique expertise: Autodelta handled engine tuning and final assembly, SAI Ambrosini constructed the tubular steel chassis, and Zagato crafted the lightweight aerodynamic body—a conceptual evolution of the Giulietta SZ’s truncated tail design.

Alfa Romeo TZ
Girardo & co

The TZ was powered by Alfa Romeo’s 1.6-liter twin-cam engine, derived from the Giulia TI. In its road-going version, this engine produced 112 bhp (82 kW) at 6,500 rpm, thanks to dual Weber 45 DCOE carburetors. Competition versions, however, saw power outputs rise to an impressive 160 bhp (118 kW). To optimize cooling, the engine was tilted 15 degrees to the left, enhancing airflow around the cylinder head.

The tubular chassis was a masterpiece of engineering. Made of nickel-chromium steel, it weighed just 62 kilograms while maintaining exceptional rigidity. Paired with the proven mechanical components of the Giulia, including four-wheel disc brakes, magnesium alloy wheels, and fully independent suspension, the TZ achieved a featherweight of 660 kilograms. This remarkable weight reduction enabled a top speed exceeding 215 km/h in road trim, with race-prepped versions reaching approximately 240 km/h.

Aerodynamics played a pivotal role in the TZ’s performance. The car featured a truncated “Kammback” tail, a design influenced by Wunibald Kamm’s studies and tested concurrently by Zagato on Giulietta SZ prototypes. This innovative shape reduced drag while maintaining stability, making the TZ a benchmark in aerodynamic efficiency.

Racing Debut and Early Triumphs

The TZ made its competitive debut in November 1963 at the Tour de Corse. Although both cars entered retired due to an accident and a suspension failure, success came swiftly. On November 24, 1963, at the Autodromo di Monza during a race organized by FISA, the TZ claimed a resounding victory, taking the top four spots in the prototype category. Lorenzo Bandini, Giampiero Bussinello, Giancarlo Baghetti, and Consalvo Sanesi led the charge.

Following its homologation in the Sport 1600 category, the TZ became a dominant force in both European and North American competitions. Between 1963 and 1965, 112 examples were produced, cementing the TZ’s legacy as a versatile and formidable competitor on road and track.

Legacy and Evolution: The TZ Line and Beyond

The Alfa Romeo TZ holds a significant place in the history of motorsport, not only for its innovative design and competition success but also as a milestone in the evolution of Alfa Romeo’s racing ambitions. The project benefited from the expertise of Carlo Chiti, a brilliant engineer whose career included stints at Ferrari and A.T.S. before co-founding “Auto-Delta” in 1963 with Lodovico Chizzola. Auto-Delta, established in Udine near Gianni Chizzola’s Alfa Romeo dealership, acted as a front for Alfa Romeo’s semi-official racing activities, allowing the brand to re-enter the motorsport scene without making an overt corporate commitment.

Alfa Romeo TZ

By late 1965, Auto-Delta transitioned into Autodelta, Alfa Romeo’s official racing department, and relocated to Settimo Milanese. During this period, a total of 106 examples of the TZ were completed, although the original numbering scheme (750 001 to 750 108) included anomalies. For instance, chassis 750 101 was used for the Bertone-designed Alfa Romeo Canguro rather than a TZ, and some chassis, such as 750 000 (a spider prototype), remain controversial. Additionally, several cars were later modified into TZ2 specifications, including chassis 750 004, 750 072, and 750 079, following damage or repurposing.

Famous Chassis and Racing Success

The TZ enjoyed a decorated racing career. Notable examples include:

750 006, which competed at the 1964 24 Hours of Le Mans, driven by Biscaldi and Sala, and is immortalized in a famous photo exiting the Mulsanne curve.

750 011, victorious in its class at the 1965 Targa Florio, driven by Bussinello and Deserti.

750 015, piloted by Frenchman Jean Rolland to the French Gran Turismo Championship in 1964, continuing to compete until 1966.

750 025, driven by Lorenzo Bandini at the Coppa FISA in Monza.

The TZ2, TZ3 Corsa, and TZ3 Stradale

The TZ2, introduced in 1965, represented a more advanced iteration of the original TZ. With a sleeker fiberglass body and enhanced aerodynamics, the TZ2 was even lighter and faster, designed exclusively for racing.

Decades later, Zagato revived the TZ lineage with the TZ3 Corsa and TZ3 Stradale, paying homage to the original models. The TZ3 Corsa, unveiled in 2010, was a one-off racing car powered by an Alfa Romeo engine. The TZ3 Stradale followed, blending Italian design with American power in a road-legal car based on the Dodge Viper ACR platform.

A Collector’s Puzzle and Enduring Legacy

The TZ’s rich history is further complicated by issues of chassis identification and authenticity. Several chassis bear double numbers, while others are suspected replicas. Despite these mysteries, the TZ remains a prized collector’s item, symbolizing Alfa Romeo’s ingenuity and competitive spirit.

From the groundbreaking TZ1 to the futuristic TZ3, the Tubolare Zagato series encapsulates Alfa Romeo’s commitment to innovation, design, and performance—a legacy that continues to inspire the world of motorsport and beyond.

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Prince Skyline Sport Allemano

The end of World War II left Japan in a difficult position, having to transition its industries from military production to civilian use. This challenge was particularly tough since Japan, like Germany and Italy, was a defeated nation. However, Japan’s ability to adapt would set the stage for one of the most exciting collaborations in automotive history.

Among the companies responsible for this transformation were Tachikawa and Nakajima, two of Japan’s leading aviation companies. Tasked with shifting to civilian production, Tachikawa (later known as Tokyo Electric Cars) began building electric cars in 1947. Their first model, the Tama, was followed by a slightly larger Junior, and eventually, the Senior.

In the early 1950s, Japan’s evolving automotive landscape saw a shift from electric-powered cars to gasoline engines. By the end of 1951, the Tama Senior was fitted with a 1.5-liter petrol engine, a shift that led to the creation of the Prince Sedan in 1952. This was the beginning of Prince Motor Company, which was named in honor of the official investiture of Crown Prince Akihito.

In 1954, Fuji Precision Machinery (formerly Nakajima) acquired Prince Motor Company and embarked on producing automobiles under the Prince brand. This marked the beginning of a new chapter in Japan’s automotive history.

The Birth of the Skyline and the Search for European Inspiration

By the late 1950s, Prince Motor Company had gained recognition in Japan for its innovative vehicles, such as the Prince Sedan and the Skyline (introduced in 1957). However, the company sought to take their vehicles to a new level—focusing on luxury, performance, and innovation. To do so, they looked westward, to Europe, for inspiration.

Europe was home to some of the most prestigious automotive brands, and Fuji Precision Machinery executives wanted a vehicle that could rival the best of Europe. This aspiration led them to Italy, where they arranged a pivotal meeting at the Salone dell’Automobile (Turin Motor Show) with Carrozzeria Allemano, a respected coachbuilder with ties to Italian designer Giovanni Michelotti.

The collaboration between Japan and Italy led to the creation of the Prince Skyline Sport, a car that would redefine the trajectory of Japan’s automotive design. This groundbreaking partnership merged Japanese engineering with Italian artistry, setting a new standard for style and innovation. The success of this collaboration inspired other Japanese manufacturers to partner with Italy’s legendary design houses, creating some of the most iconic vehicles of the 1960s.

Mazda, for example, worked with Bertone, enlisting the renowned Giorgetto Giugiaro to design the Familia, a compact car that skillfully blended European elegance with Japanese practicality. In 1963, Daihatsu teamed up with Vignale to produce the Compagno, along with its sporty variants: the Sport Spider and Coupé; which reflected a uniquely Italian flair. The following year, Pininfarina collaborated with Datsun to craft a sleek new look for the Bluebird, a move that helped the car gain global recognition. By 1965, Isuzu joined forces with Ghia to design the Bellett II, a concept car that showcased bold and forward-thinking design elements.

These partnerships went beyond aesthetics; they helped establish a global identity for Japanese automakers. By working with Italy’s most respected design houses, Japanese manufacturers gained fresh perspectives on styling while enhancing their reputation for innovation and quality. These collaborations not only transformed the appearance of Japanese cars but also elevated their appeal to international markets, leaving a lasting impact on the industry.

A Handcrafted Masterpiece

Under the direction of Giovanni Michelotti, one of Italy’s most respected automotive designers, the Skyline Sport would be an example of high-end craftsmanship. Initially, the first series of prototypes were built by Carrozzeria Allemano, known for its hand-built bodies. Later, a second series of production would be completed by Carrozzeria Michelotti, adding the final touch to this luxury vehicle.

The Skyline Sport was designed as a two-door coupe with sleek, flowing lines and a sporty yet elegant appearance. Michelotti’s design incorporated canted headlights, angled downward at the inside corners—a feature seen in other high-end vehicles like the Lincoln Continental and Buick during the late 1950s and early 1960s.

At the heart of the Skyline Sport was a 1.9-liter GB-4 engine that generated 94 horsepower, giving it a top speed of 150 km/h. Despite weighing in at 1,350 kg, the car’s handling was remarkably smooth, thanks to a double-wishbone front suspension and a De Dion rear axle, technologies that were innovative for its time.

The Prince Skyline Sport: A Bold Statement

The Skyline Sport debuted at the 1960 Turin Motor Show, where it garnered international attention for its bold design and luxury features. Available in both a coupe and a convertible version, it was a striking example of Italian design combined with Japanese engineering. Its clean lines, striking front grille, and eye-catching details made it a standout at the show.

But its beauty was more than skin deep. The Skyline Sport was a car that delivered in terms of both aesthetics and performance. With its meticulously crafted body, luxurious interior, and advanced suspension, the car offered an exceptional driving experience that rivaled the finest European vehicles of the era.

The Prince Skyline Sport made its official appearance in Japan at the 1962 Tokyo Motor Show, where it was met with great enthusiasm due to its elegant lines and striking design. With its sleek coupe and convertible versions, the car showcased a perfect blend of Italian craftsmanship and Japanese engineering, captivating the crowd with its sophisticated aesthetic. However, the Skyline Sport came with a hefty price tag of 1.85 million yen, more than twice the cost of a standard sedan. This steep price limited its appeal in Japan’s domestic market, making it a rare and exclusive collector’s item. Despite its high price, the car gained significant exposure through its prominent feature in Toho films, strategically marketed to heighten its status as a luxury icon.

A Historic Collaboration and Legacy

The Prince Skyline Sport is historically significant as the first collaboration between an Italian designer and a Japanese automaker, setting a precedent for future cross-cultural partnerships in the automotive world. It was a testament to the universal appeal of Italian design and the skill of Michelotti and Carrozzeria Allemano. The Skyline Sport bridged cultural and geographical boundaries, bringing together the best of both worlds to create a truly exceptional car.

Though the Skyline Sport never achieved high sales numbers, with only 60 to 200 units produced, its impact on the automotive industry cannot be overstated. It paved the way for later models like the Skyline GT-R and helped establish the Prince Laurel, another model that would become iconic in Japan.

The Skyline Sport also marked the beginning of Prince Motor Company’s shift toward luxury vehicles. This emphasis on quality and refinement would continue after Nissan’s acquisition of Prince Motors in 1966, with the Skyline Sport serving as a precursor to future generations of luxury cars from Japan.

The Prince Skyline Sport was more than just a car—it was a statement of innovation, craftsmanship, and the power of international collaboration. The partnership between Giovanni Michelotti, Carrozzeria Allemano, and Prince Motor Company created a vehicle that showcased the best of both Italian design and Japanese engineering.

Though limited in production and availability, the Skyline Sport remains an important part of automotive history. It stands as a symbol of the potential for global partnerships to create groundbreaking designs, and its legacy continues to inspire the automotive world today.