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The De Tomaso Mangusta, a mongoose to kill the Cobra

de tomaso mangusta

The De Tomaso Mangusta, a pivotal piece of automotive history, emerged from the visionary endeavors of Alejandro de Tomaso and his ambitious pursuit of excellence for the small Modena-based company. This Italian masterpiece, produced by De Tomaso from 1967 to 1971, traces its roots back to the influential De Tomaso P70 project in 1965, a venture that held the promise of transforming the company’s trajectory.

The origin of the DeTomaso Mangusta

Before the P70, De Tomaso had gained recognition for crafting a limited number of competition cars and approximately fifty Vallelunga coupés, each equipped with Ford engines generating around a hundred horsepower. The company, under Alejandro de Tomaso’s leadership, aspired for a significant leap forward in both quality and prominence. The P70 project, a collaboration with Carroll Shelby in 1964, represented this ambitious endeavor.

Initially intended for the 1966 Can-Am, Shelby backed the P-70 race car. Alejandro de Tomaso, in conjunction with a collaborative team sent by Shelby, was tasked with developing and building five cars. However, faced with tight deadlines, De Tomaso couldn’t fulfill the agreement. Around the same time, Carroll Shelby diverted his attention to a contract with Ford for the development of the GT-40 for Le Mans, leading to the cancellation of the P70 project in late 1965. This decision left De Tomaso offended but undeterred.

Photo courtesy of Artcurial

Undeterred, De Tomaso, with the assistance of designer Pete Brock—who remained committed to the project—continued to develop the P70 race car. Ghia was enlisted to craft a body for the single remaining vehicle. In November 1965, this car was showcased at the Turin Motor Show under the name Ghia De Tomaso Sport 5000. Although the P70 never competed in the intended Can-Am series, its existence played a crucial role in the genesis of the De Tomaso Mangusta, leaving an indelible mark on the automotive landscape. This article will delve into the intriguing journey of the Mangusta, unraveling its origins and the transformative impact of the P70 project on the destiny of this iconic Italian automobile.

The Italo-Argentinian racer and constructor, in collaboration with Ghia, unveiled a prototype to the public. Initially presented as a static model and later showcased in motion, this prototype stemmed from the designs of American designer Pete Brock. Brock, employed by the renowned American pilot and preparer Carroll Shelby’s team, contributed to the creation of this innovative project. The Italo-Argentinian visionary hoped that upon completion and demonstration of the car’s technical prowess, it would be acquired by the American team to replace their aging Lang Cooper tubular frame cars. These Lang Cooper vehicles, modified versions of the Cooper Monaco powered by a 4.7-liter Ford engine, had reached the peak of their development, prompting the need for a superior alternative in the North American racing scene.

But it was precisely in 1965 that Shelby became involved with Ford’s GT40 program, which, up to that point, had yielded disappointing results. Shelby devoted himself entirely to this new undertaking, setting aside his own cars and their related development projects. As a result, Alejandro De Tomaso found himself without the primary recipient for his new sports car and was compelled to alter his plans. He decided to shift his focus to road-going sports cars, directly challenging the likes of Ferrari and Lamborghini—brands deeply rooted in the same geographic territory where his small company had originated and grown. The Argentine entrepreneur aimed to capture market share, especially in the affluent United States.

Drawing from the experience gained with the “P70 project,” built on the technical concepts of Vallelunga and its competition derivatives, De Tomaso did not let it go to waste. Instead, he infused it into the Mangusta, a name chosen by the spirited Argentine as a retaliation against Carroll Shelby. The mongoose, capable of combating cobras on equal terms, symbolized the vehicles of the American preparer.

Photo courtesy of Artcurial

Innovative Chassis Design

In Modena’s vision, the Mangusta’s strength and primary feature were its single-beam aluminum chassis, derived from the Vallelunga designed three years earlier. Essentially the same as the P70/Sport 5000, it featured a mid-rear engine with a semi-supporting function, akin to the competition cars of the seventies. This was an innovative solution for a road-going grand tourer. Complementing the single-beam chassis were independent suspensions on all four wheels, a dual-circuit four-disc braking system, and magnesium wheels supplied by Campagnolo in 7×15″ front and 8×15″ rear sizes.

Similar to the Mangusta’s single-beam chassis, Lotus adopted a comparable solution, but the English automaker did not stress the engine as a structural element. Instead, it delegated the task of supporting the rear suspensions to extensions of the chassis. The Modena-based chassis, paired with a hefty and powerful cast iron Ford V8 engine, covered with a lightweight steel body featuring aluminum hoods and doors, exacerbated the stiffness issues previously encountered with the Vallelunga. It resulted in an unideal weight distribution of the vehicle. Attempting to alleviate this, De Tomaso replaced some components with aluminum castings, but the savings amounted to only 25 kg. To enhance dynamics, he decided to lower the engine. Unable to do so with a dry sump, due to high costs, he reduced the clutch bell diameter by fitting three small-diameter discs instead of the standard large one. However, the weight distribution remained imbalanced at 32% to the front and 68% to the rear, rendering the Mangusta’s driving dynamics uncertain and unpredictable as the adhesion limit approached—not quite reaching the standard set by its top competitors, despite its competitive power-to-weight ratio, which put it in contention with the contemporary Lamborghini Miura.

The engine, paired with a somewhat stiff 5-speed gearbox supplied by ZF, was the Ford 289 V8 with a displacement of 4.7 liters, tuned by De Tomaso to reach 306 horsepower. However, for the U.S. market, the significantly less potent Ford 302 V8, a 5-liter engine producing only 220 horsepower, was later installed in the cars. This adjustment aimed to comply with the increasingly stringent emissions regulations imposed by the U.S. federal government during that era.

Unfulfilled Potential and Italian Design Innovation

With Italian design flair, a gullwing hood, aerodynamic and stylish body, four disk brakes, and an overall sportier appearance, the Mangusta was anticipated to deliver exceptional performance, particularly given its superb suspension and mid-engine layout. However, it proved to be underdeveloped. The weight distribution ratio of 32/68 led to front-end lift during cornering, resulting in understeering. Simultaneously, the chassis frame lacked rigidity, occasionally causing oversteering. In summary, the Mangusta was unpredictable, unstable, and challenging to control. Despite its design upgrades, the Mangusta failed to outpace the Cobra, with approximately 500kg more weight and a less powerful engine.

A total of 401 units were produced, with around 150 designated for Europe, 250 for the U.S. market, and a special version equipped with a Corvette engine for Bill Mitchell, General Motors Vice President. The 1970 U.S. models, numbering 50, featured two pop-up headlights.

The body was designed by Giorgetto Giugiaro, then the chief designer at Carrozzeria Ghia in Turin. He adapted a previous rejected design for Iso Rivolta, captivating the new client, De Tomaso. The result was an extremely low-profile vehicle (only 1100 mm in height), sacrificing some interior space but achieving the right balance between elegance and aggression. It featured a massive windshield, necessitating the purchase of an air conditioner to alleviate the greenhouse effect in summer, and a split gullwing hood. Giugiaro’s design for the Mangusta incorporated flat elements, anticipating the protruding frame that encloses the grille and headlights, a solution later adopted by other manufacturers. The exterior sophistication contrasted with a particularly Spartan interior, aligning with the concept of a race car suitable for road use promoted by the manufacturer. Notably, for the U.S. market version, Giugiaro addressed the height restrictions imposed by the American Department of Transportation by fitting a single, larger, partially retractable round headlight, ensuring compliance while maintaining a distinctive aesthetic.

Conclusions

In conclusion, the De Tomaso Mangusta, born from Alejandro de Tomaso’s visionary P70 project, stands as a distinctive chapter in automotive history. Despite handling challenges, its Italian design, gullwing hood, and Ford V8 power left a lasting impression.

The Mangusta’s story extends beyond its 1967-1971 production, laying the groundwork for the De Tomaso Pantera. Introduced in the early 1970s, the Pantera refined the Mangusta’s flaws, becoming an iconic model with international success.

The transition from Mangusta to Pantera signifies De Tomaso’s resilience and innovation. Both models contribute to the enduring legacy of Italian sports cars, capturing the spirit of automotive enthusiasts. The Mangusta’s impact persists not only in its own history but also in the continued success and refinement seen in the subsequent Pantera model.

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In 2013, two of the most iconic names in the automotive world, BMW and Pininfarina, came together to present a remarkable creation at the Concorso d’Eleganza Villa d’Este: the BMW Pininfarina Gran Lusso Coupé. This one-of-a-kind luxury coupé represents the first official collaboration between BMW, known for its advanced technology and signature design, and Pininfarina, the Italian powerhouse renowned for its flair for elegance and refinement. The result is a unique interpretation of a BMW coupé, viewed through the lens of Pininfarina’s design philosophy.

This collaboration marks the first time the two giants worked together formally. However, their paths crossed long before this project. In the 1950s, Pininfarina had designed a proposal for the BMW 501 sedan, which was ultimately rejected by BMW due to its resemblance to the Alfa Romeo 6C sedan. Despite the missed opportunity, the shared vision of design and engineering excellence has endured over the years, culminating in the creation of the Gran Lusso Coupé.

Ironically, today, the BMW Pininfarina Gran Lusso Coupé represents a glimpse of what could have been a lifeline for BMW’s current design struggles. In recent years, BMW’s lineup has faced harsh criticism for its bulky, uninspired aesthetics, with many critics pointing out that the brand’s new styling lacks soul, cohesion, and design logic. In stark contrast, the Gran Lusso Coupé embodies a blend of elegance, purpose, and design harmony that stands in sharp opposition to the controversial direction of BMW’s current designs.

A Harmonious Blend of Elegance and Power

At first glance, the BMW Pininfarina Gran Lusso Coupé stands out for its perfect balance of elegance and dynamism. With its broad surfaces and taut lines, the coupé exudes both strength and grace. Its classic BMW proportions — a long wheelbase, extended hood, and set-back cabin — create a powerful stance even when the car is stationary. The vehicle’s design is further enriched by Pininfarina’s holistic approach, blending BMW’s precision and dynamics with Pininfarina’s artistry.

As Adrian van Hooydonk, Senior Vice President of BMW Group Design, highlighted, the BMW Pininfarina Gran Lusso Coupé expresses BMW’s core values of luxury and imposing presence in a highly refined form, all while incorporating Pininfarina’s minimalist precision.

Looking at the current BMW lineup, with its massive front grilles, exaggerated proportions, and incoherent styling choices, it becomes clear that the Gran Lusso Coupé represents a missed opportunity. This coupé could have been the salvation for BMW’s design identity, standing as a flagship model that defined a refined, timeless aesthetic. Instead, many of the current models are seen as excessive, lacking the balanced, elegant proportions that once defined BMW’s luxury vehicles.

The Front View: Dynamic and Commanding

The front of the BMW Pininfarina Gran Lusso Coupé commands attention with its wide, wheel-focused stance, radiating dynamism and presence. At the heart of the front design is BMW’s signature kidney grille, which immediately signals the car’s heritage. Framed by round twin headlights, this grille directs the viewer’s eye toward the powerful V12 engine housed under the hood. The grille’s aluminum matte finish contrasts sharply with the glossy black structure behind it, adding depth and visual intrigue.

Above the grille, the hood stretches across the car’s width, its contours originating from the BMW emblem, creating an impression of elegant dynamism. The slim headlights reinforce the car’s focus on the road and add to its commanding presence, enhanced by the modern LED technology that offers both a premium feel and depth to the lights.

The lower part of the front fascia is dominated by a sleek sports spoiler, flanked by a single-piece air intake that accentuates the width of the front. The air intake grows larger towards the wheels, emphasizing the car’s broad track. The Pininfarina badge subtly engraved just above the road surface is a nod to the Italian design house’s contribution, like a signature on a masterpiece.

In comparison to BMW’s current models, with their enormous, often disproportionate grilles, the Gran Lusso Coupé’s front end is a lesson in restraint and harmony. Its elegance and power do not rely on excessive design elements but are achieved through thoughtful, balanced proportions that are increasingly rare in today’s BMW design language.

Sculpted Side Profile: Elegance in Motion

The side profile of the BMW Pininfarina Gran Lusso Coupé is a testament to the importance of proportion in automotive design. Here, BMW’s renowned formal language is enhanced by Pininfarina’s signature clarity and refinement. The long, flowing silhouette and convex side forms give the coupé an athletic, poised look, while the clean, precise lines elongate the vehicle, adding a sense of exclusivity.

The high beltline runs almost horizontally along the length of the car, giving it stature and presence. Above it, the roofline sweeps elegantly towards the rear, terminating in a brief extension of the car’s rear. Below the beltline, a reverse curve, starting from the air outlet behind the front wheel, moves upward towards the rear, giving the back end a light, dynamic feel. This combination of light and shadow across the surfaces creates a visually striking play of form and depth.

Attention to detail further accentuates the coupé’s elegance. A semi-matte trim behind the front wheel integrates the side indicator, while BMW’s signature Hofmeister kink in the window line is seamlessly integrated into the car’s overall design. Interestingly, the Hofmeister kink is often credited to Giovanni Michelotti, who is said to have invented the design element. Michelotti, a legendary Italian designer, later worked for BMW as a freelance designer, further embedding his influence in the brand’s design language.

Behind the Hofmeister kink, the V12 badge hints at the raw power hidden beneath the car’s refined exterior. Completing the side profile are exclusive 21-inch wheels, which amplify the vehicle’s athletic presence. With five triplet spokes, these wheels balance elegance with sportiness, their semi-matte aluminum finish adding depth and visual complexity.

This graceful side profile contrasts sharply with the chunky, bloated forms seen in BMW’s current lineup. Where the Gran Lusso Coupé is sleek and refined, many modern BMWs are seen as heavy and oversized, lacking the elegance that once made BMW coupés stand out.

The Rear View: Sleek and Sophisticated

The car’s sleek side profile transitions into an elegant rear, where horizontal elements give the back of the BMW Pininfarina Gran Lusso Coupé a wide and flat appearance. The expansive surfaces and precise contours interplay with light and shadow, lending the rear a lively, dynamic feel. One of the most striking features of the rear is the smooth transition from the roof to the rear deck, where elaborately shaped supports extend the roof pillars toward the back of the car, creating a fluid, continuous line.

The rear taillights, which extend from the side panels to the back in a single, flowing gesture, bring a sense of visual unity to the car’s design. These lights offer a fresh interpretation of BMW’s traditional L-shaped tail light design, with a slim, jewel-like quality. The lights are encased in semi-matte aluminum frames, with an open design that allows air to pass through, a testament to the attention paid to every design detail.

A Modern Interpretation of Classic Values: The Interior

Inside the BMW Pininfarina Gran Lusso Coupé, the same modern elegance and dynamic authority seen on the exterior continue. The cabin offers an exclusive atmosphere where sportiness, luxury, and comfort combine for a unique driving experience. The interior’s flowing geometry is given new character through Pininfarina’s distinct touch. A carefully selected color scheme, high-quality materials, and geometric detailing in the doors, center console, and instrument cluster elevate the experience. Pininfarina’s attention to both elegance and innovation shines through in every detail.

The luxurious four-seat layout welcomes both the driver and passengers into a space that balances comfort with sportiness. The front and rear seats, designed by Pininfarina, provide a snug embrace with side supports that offer maximum comfort. The driver’s seat features BMW’s signature driver-oriented layout, with all driving functions angled slightly toward the driver for optimal ergonomics.

Materials throughout the cabin are of the highest quality. The interior is wrapped in premium leather in shades of black and tobacco brown, sourced from the prestigious Foglizzo leather workshop. Accents of black chrome offer a sleek contrast to the natural materials used.

48,000 years old Wood

Perhaps the most remarkable aspect of the BMW Pininfarina Gran Lusso Coupé’s interior is the use of kauri wood, a material that’s over 48,000 years old. Sourced exclusively for this car by Italian craftsmen from Riva 1920 (already responsable for the stunning Cambiano concept car interior), the kauri wood’s unique grain changes from gold to red to brown, depending on the angle of the light. This ancient, fossilized wood, polished and oiled to perfection, adds warmth and natural beauty to the interior.

Italian fine wool fabric lines the roof, with a Prince of Wales check pattern adding a touch of sophistication. Even the smallest details, like the seat stitching, echo this pattern, creating harmony throughout the cabin. To ensure a bright and inviting atmosphere, the interior features an elongated roof opening, illuminated by soft white LED lights. Luxurious carpeting in a deep gray hue completes the sense of well-being within the car.

A Timeless Masterpiece

The BMW Pininfarina Gran Lusso Coupé is a true testament to the power of collaboration between two legendary automotive brands. By combining BMW’s engineering precision with Pininfarina’s design elegance, the Gran Lusso Coupé offers a vision of what luxury cars should embody—refinement, purpose, and timeless beauty. In contrast to BMW’s current design struggles, this coupé stands as a reminder of the brand’s potential to create vehicles that balance boldness with grace. With its exquisite craftsmanship, attention to detail, and a nod to BMW’s design heritage, the Gran Lusso Coupé remains a symbol of what could have been a defining chapter in BMW’s future.