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The Fiat 1100 Fuoriserie

Intro

An elegant convertible, built in 1949 on the popular Fiat 1100 B chassis by Stabilimenti Farina in very few speciments, remains the emblem of the art of italian coachbuilding in the early 1950s. The resemblance to Ferrari’s 166 Inter is surprising, which let to controversy between Giovanni Farina and Enzo Ferrari.

The Fiat 1100 Cabriolet by Farina - Photo courtesy of Hyman Ltd.

The 1100A "Musone"

The mechanical and stylistic evolution of the famous Fiat Balilla gave in 1937 birth to a new model: the protagonist of a long and successful career that marked a significant chapter in the history of the italian automobile.

The new model, the Fiat 508C, officially known as the Balilla 1100, was the forefather of a succession of generations of series models, but also of numerous custom-built versions, which characterized the stylistic and technical progress of medium-class cars in Italy, from the second half of the Thirties to the Sixties.

Launched in its series version as four-door sedan with an aerodynamic body which features rounded shapes clearly inspired by the Fiat 1500 (a revolutionary car from the Turin-based company), the Balilla 1100 immediately gave rise to numerous, custom built versions with revolutionary lines that anticipated the future of the Italian car design.

The Fiat 508C MM by Savio

Among the 2 door convertible by Fiat, Viotti for example, created its own cabriolet version with a more astonishing design. In 1937 Carrozzeria Savio realized one of the first examples of woody wagons, followed by the aerodynamic 508C Mille Miglia with aluminum body which was later built by Fiat itself. This model was the first car produced by Fiat, which features a bodywork with integrated mudguards.

The inhouse Fiat version, on the other hand, was distinguished by its modest-sized footrests, practically almost incorporated into the side, and for the tail trimmed with the spare wheel inside the trunk.

The "windbreaker" 1100

The Fiat 1100 Victoria by Bertone

In 1939 with the launch of the new model, now simply called 1100, a stylistic solution was introduced which gave rise to the nickname of “musone” due to the redesign of the front which features a “windbreaker” (or “frontale a prua”) grille. With this debut, the long era of the 1100 custom-built cars was inaugurated, but it was suddenly interrupted by the outbreak of the Second World War. From those years we can remember the 1100 Victoria made by Bertone, which features the famous “windbreaker” front grille.

The 1100 B

The 1100 B, unveiled in 1948, underwent important mechanical upgrades, but only modest aesthetic changes. The coachbuilders, on the other hand, introduced many stylistic innovations anticipating the shapes of 1950s cars with brilliant intuition. In this regard, we can also include the inhouse convertible version of Fiat which, unlike the sedan, already presented itself with a more modern front, with the headlights incorporated in the fenders: a first sign that also the series production design was evolving.

All coachbuilders, from Ghia to Monviso, to Balbo, created pleasant cabriolet versions, while Viotti and Boneschi focused more on Giardinetta’s, Vignale on the other hand, successful unveiled an elegant berlinetta designed by Michelotti.

In the “fuoriserie” of that period, we can still find some older designs which features the outdated “windbreaker” frontend with the not incorporated side fenders, but more and more modern bodies with the ovoid grille, such as the Panoramica by Zagato are popping up.

The 1100 E

Meanwhile, in 1949, with the 1100 E model the series sedan was also updated. This new model features important changes in the rear part where the spare wheel disappeared inside the trunk, while the gearshift control was placed on the steering wheel.

The 1100 E Coupé pre-series by Pinin Farina at the 1949 Rome Concours d'Elegance

The coachbuilder had by now on completely abandoned the “windbreaker” front; the wagons replaced the beautiful wooden structures (built for necessity in wood due to the post-war lack of metal material) for a completely metallic body, while the sedans anticipated the future rounded shapes of series production, oriented towards a three volume design.

For the series production coupé, Fiat entrusted the creation to Pinin Farina. The result was a stunning elegant coupè, which its design differs from the in house Fiat sedan.

The "nuova" 1100

The Fiat 1100-103 production version

At the 1953 Geneva Motor Show, the new (Nuova) 1100, made its debut. Later called 103, abbreviation attributed by the Turin-based company to the project of the car. With this model another important chapter  in the history of the Italian automobile begane: the creation of the so-called “elaborata” models.

The 1100 elaborata

The production model, distinguished by a sober line with squared front, horizontal grille and rounded trunk, was subject of several variations on the “elaborata”  theme created by the main italian coachbuilders. This versions, which could be considered higher trim levels than the series ones, features two-tone paint, new designed radiator grilles, chrome decorations and in some cases tail fins. The same treatment was reserved to many other Fiat models, such as the Fiat 600.

Consequently, its launch on the market also led to an increase in the production of accessories for its embellishment. Despite the new 1100 adopted a self-supporting structure, the coachbuilders created several of custom-built versions that anticipated and influenced the design of the future Fiat series model.

A Fiat 1100-103 "Elaborata" by Scioneri

Significant in this sense were the Fiat 1100/103 TV E and the 1100/103 Lusso, mass-produced with striking two-tone paintwork, inspired by the success of the “elaborata” versions, made by coachbuilders in the second half of the 1950s on the first series.

The decline

At the beginning of the 1960s, the 1100 custom-built bodies were no longer in demand. The era of the slender coupés, of the Giardinetta and of the elegant spiders was now definitively over, only a few rare elaborations by Francis Lombardi, Moretti and OSI continued for a little while the fortunate season of the elaborata.

A Fiat 1100 Coupé by Moretti based on the "R" chassis

In 1966 the last 1100 was born, the R, which in 1969 put an end to the era of this lucky model.

Over the years of production of the Fiat 1100, all the main italian coachbuilders of the time, practically gave vent to their imagination and genius, with custom-built or elaborata models. A huhe thanks you to all these coachbuilders for their creativity which inspired and forged the automobile design till today!

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The 90s was not exactly a golden age for Bugatti. The brand rolled out just one production car under Romano Artioli, who took over in 1987. But hold up—Bugatti wasn’t short on wild ideas. They dreamed up some seriously awesome concept cars, even if they never hit the road. It’s a shame because there were at least four models that were so cool they made you wonder: why didn’t Bugatti build these? Let’s start with their actual production car, the EB 110.

Bugatti EB 110

Introduction: September 15, 1991

Specifications: 3.5-liter V12 (553 bhp or 603 bhp), all-wheel-drive, a manual six-speed transmission, top speed of 351 km/h.

Flashback: September 15, 1991. Picture the Champs-Élysées in Paris. Down this iconic avenue cruises the Bugatti EB 110, a rolling tribute to Ettore Bugatti’s 110th birthday. A supercar for the ages, the EB 110 had sharp, angular lines, scissor doors like a Lamborghini, and enough horsepower to drop jaws.

Like the Bugatti models of yesteryears, this machine was serious. Its 3.5-liter V12 engine had not one, not two, but four turbochargers, plus intercoolers. Built around a carbon monocoque frame, it delivered 560 hp to all four wheels using twin differentials. Compared to Lamborghini’s Diablo—unveiled earlier—it was ahead of its time. The Diablo offered 492 hp and only gained all-wheel drive in 1993 with the VT model. The EB 110 was a beast right out of the gate.

Bugatti EB110

Even the engine design was cutting-edge. Bugatti followed Formula 1 guidelines of the era to craft a 60-valve, 3.5-liter V12 with five valves per cylinder. The car’s price tag reflected its ambition: 450 million lira for the base version, and 550 million lira for the Super Sport variant. Over the years, values for the EB 110 skyrocketed, jumping from €280,000 in 2011 to nearly $2.15 million at a Sotheby’s auction.

Bugatti developed only 135 EB 110s—95 standard models and 39 Super Sports. Among these, Michael Schumacher’s yellow EB 110 SS is particularly famous. Today, the EB110’s rarity makes it a collector’s ambition.

Bugatti ID 90 Concept

Introduction: 1990 Turin Motor Show

Specifications: Mid-mounted 3.5-liter V12, four turbos, AWD, top speed of 174 mph (280 kph).

It was Giugiaro’s first Bugatti design, borrowing elements from the eventual EB 110. Compared to the EB 110, the ID 90 had more refined styling. Introduced a year before its production sibling, the concept featured a massive glass dome with vents for cooling the V12. Its retro wheels, inspired by the 1926 Royale, added flair.

It’s fun to imagine how the EB 110 might’ve fared with this design. Sleeker and arguably prettier, the ID 90 feels like a missed opportunity.

Bugatti EB 112 Concept

Debut: 1993 Geneva Motor Show

Specifcations: 6.0-liter V12 (455 hp), AWD, carbon fiber chassis.

The EB 112 was Bugatti’s take on a four-door sedan, long before the Galibier 16C appeared in 2009. Giugiaro went retro again, drawing inspiration from Bugatti’s 1920s and 30s models, like the Atlantic. The styling? Let’s call it polarizing. But for its time, it was bold.

Bugatti EB112

Inside, luxury reigned: leather, walnut trim, and a few modern touches like a dash-mounted video screen. Its V12 engine sat near the front axle, improving handling. Romano Artioli, Bugatti’s then-president, famously said it handled “like a go-kart.”

Sadly, Bugatti’s financial troubles killed the EB 112 before it could reach production. Only one was fully built before bankruptcy. Two incomplete chassis were later finished by Monaco Racing Team. Of the three prototypes, one is red, one black, and one is dark blue. Today, these are among the rarest Bugattis ever.

Bugatti EB 118 Concept

Introduction: 1998 Paris Motor Show

Specifications: W18 engine (yes, 18 cylinders!), 6.3 liters, 555 hp, AWD, 199 mph top speed.

The EB 118 made history with its W18 engine, the first of its kind in a passenger car. This beast had three rows of six-cylinder banks arranged in a “W” under the hood. Italdesign Giugiaro styled the coupe, giving it an art deco interior with minimal buttons and knobs.

Bugatti EB 218 Concept

Introduction: 1999 Geneva Motor Show

Specifications: Same W18 engine, AWD, 0–60 mph in 4.5 seconds, top speed capped at 155 mph.

A four-door sibling to the EB 118, the EB 218 was Bugatti’s idea of luxury. Bigger and roomier, it borrowed Lamborghini’s Diablo VT AWD system to handle its immense power.

Though Bugatti didn’t produce the EB 218, its influence lingers. The idea of a practical yet opulent Bugatti sedan remains compelling. Maybe one day, Bugatti will revisit the concept, giving the Tourbillon a worthy showroom companion.